Twelfth Night
THIS SHOW IS CLOSED. YOU CAN NOT BOOK TICKETS.
After his Tony- and Olivier-Award winning performance in Jerusalem, Mark Rylance returned to the Apollo Theatre with Shakespeare’s Globe’s “The Play’s the Thing” season, reprising his performance as Olivia in Twelfth Night and playing the title role in a new production of Richard III.
Twelfth Night is one of Shakespeare’s most beloved comedies. Following a shipwreck, twins Viola and Sebastian are separated, with each assuming the other is dead. Viola disguises herself as a man in order to serve in the court of Orsino, the Duke of Illyria, who sends her to woo the beautiful Countess Olivia on his behalf. Olivia is in mourning after the loss of her brother and has turned away all suitors, until she becomes instantly enamoured with Viola, now known as Cesario. Meanwhile, Olivia’s drunken uncle, Sir Toby, decides to play a trick on her uptight servant, Malvolio, with hilarious results, in this rollicking tale of mistaken identity and unrequited love.
For this production, Shakespeare’s Globe assembled the same creative team behind their acclaimed 2002 staging of the play, including director Tim Carroll, designer Jenny Tiramani, and composer Claire van Campen. Performed by an all-male cast in “original practice”, the set, costumes, music, and dances were inspired by the original staging of Shakespeare’s plays in the Elizabethan era.
This strictly limited season began on 2 November 2012. Twelfth Night ran in repertory with Richard III and closed on 9 February 2013.
Cast Information
After receiving an Olivier Award nomination for the role in 2002, Mark Rylance again played the Countess Olivia. Stephen Fry, whose considerable film credits include Wilde, The Life and Death of Peter Sellers, Gosford Park, and Sherlock Holmes II plays Malvolio. After appearing opposite Rylance in Jerusalem, Johnny Flynn played Viola, whilst The History Boys’ Samuel Barnett played Sebastian. Members of the original 2002 Globe cast Liam Brennan and Peter Hamilton Dyer reprise their roles as Orsino and Feste. Globe regular Colin Hurley plays Sir Toby Belch.
Reviews
“The transfer of these two productions to the West End is welcome news…the big draw is Stephen Fry’s Malvolio, and he acquits himself extremely well.” Michael Billington, The Guardian

“I can think of no living actor who takes to the stage with such ease and spontaneity as Mark Rylance. He makes the theatre feel like the place that he calls home…” Charles Spencer, The Daily Telegraph

“…the play’s peculiarities come across vividly, and Rylance is once again a marvel. Henry Hitchings, The Evening Standard
Stage Seats
Twelfth Night was first staged at Shakespeare’s Globe. To replicate the Elizabethan feel of the Globe at the Apollo, a select number of seats were added to the stage, and from these seats one could expect a unique and up-close experience of the show.
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#3 written by Teresa 5 months ago
My Sister and I had the pleasure of watching this production last Friday night, 30th November. Seeing the actors being made up and dressed on stage added to the experience and the whole production and staging were brilliant. The atmosphere in the theatre was spine tingling. We enjoyed all the performances greatly but we have to make a special mention of Mark Rylance’s mesmerising ‘Olivia’, whose movement around the stage was so amazing that we had a job to take our eyes off him and Paul Chahidi’s Maria, whose facial expressions and comic timing were hilarious. We will never forget this wonderful night.
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#4 written by Siobainn 5 months ago
This is what entertainment is all about. With minimal props, fantastic acting, amazing costumes and of course a very well written play (or plays) words are hard to find to do justice to the performances that were deliverd.
From Mark Rylance transformation to fool to fury in Richard III, the ever wonderful Maria (sorry but I don’s have to hand the name of the ‘young maiden’ that played that role, Stephen Fry’s yellow stocking and the whole damn lot of the cast.
I saw both Richard III and ‘Twelfe’ Night on one day and would happily do so again and again and that is after having seen them both at The Globe and the transfer to the theatre only served to enhance the performance and in no way hinder.
I WANT TO SEE THEM AGAIN!!! -
#5 written by Em12a 5 months ago
This is the funniest, most touching, emotionally sensitive version ofTtwelfth Night I’ve ever seen. What on paper are farcical and ludicrous situations are brought to life with an emotional truth that make it sad, moving, hilarious and strangely believable all at the same time. The gulling of Malvolio and Aguecheek are comedic, but are achingly touching and poignant too. These are scenes I often find hard to watch, but here they, like everything, are dealt with, with a lightness of touch which is intelligent and fabulous. What I really love is the way that the all male cast reveal Shakespeare’s impressive understanding and representation of my gender. The female characters are strong, powerful, vindictive, fierce, faithful and emotionally intense. The men are often flawed, prating, self congratulating idiots, but are also entirely charming, confident, outrageous, loyal and life affirming. All performances are excellent. There are times when you don’t know where to look, because they all vie for your attention. Within the first 20 mins I already wanted to see it again and it had barely started.
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#6 written by Marcel 5 months ago
I was lucky enough to get stage seats for this play. At first I was a bit concerned about the exposure I would get but these concerns were completely unfounded. You’ve never been closer to the play and the actors! It envelops you wholly and makes you forget everything around you.
The performance is brilliantly funny and extremely well cast. It’s difficult to single anyone out but I especially enjoyed Paul Chahidi as Maria and Johnny Flynn as Viola.
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#7 written by David Magee 4 months ago
I did not think I would have enjoyed this as much as I did. I went with my son who is studying English literature at university. It was the best theatre experience I have ever had. The whole thing from the sets the music and the superb actors was a brilliant experience. I would strongly recommend it.
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#9 written by Natasha Gant 4 months ago
I cannot quite bear how absolutely brilliant, perfect, astounding, exhilarating, magnificent, enjoyable and entertaining this production was!! The reason being is I don’t think anything could ever top it and it is now sold out for the rest of the run!
Woe is me!!!!
If there is anyway to see this again then I would do it…. If you haven’t yet, do whatever it takes!
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#11 written by Terry Hurley 3 months ago
Saw “Twelfth Night” on Saturday 19 Jan 2013. Oh how wonderful. The staging, the actors being made up, on stage, before the show, the music. Standout for me was Mark Rylance – quite simply stunning. Stephen was great as Malvolio and the comic turns (Colin Hurley and Roger Lloyd Pack) were outstanding. I loved every single minute of it. It made me laugh out loud!
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#13 written by Rebecca Brentwood 3 months ago
Wow! Fun! Exciting! Enticing! Sexy! Mark Rylance as Olivia becomes a giddy girl in love. Liam Brennan’s Orsino and Jonny Flynn’s Viola have sizzling sexual tension. Maria is a complete delight! I could go on and on….. This is a very special performance and one that we be recalled in my memory for many years!
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#15 written by Greg Molan 3 months ago
I saw Twelfth night in matinee today. It’s nearly midnight and I am still tingling. The performance was my most magical theatre experience ever. I was drawn by the five star reviews, but even they don’t do it justice. I had no idea what a stage seat was -they don’t appear on the seating diagram. Being on the stage itself was very exciting and made the experience even more intense. Members of the cast prepared their costumes and makeup on stage before the play commenced and they were so relaxed that it seemed quite normal. The performance hit the high notes from the outset and never flagged. The whole company was quite superb, musicians included and everyone associated with this production should feel very proud of what they have achieved.
Being on stage, one could really appreciate the attention to detail in the beautiful costumes and being involved in bits of business with the cast at times was a delight. The production wrings every last drop of value from the text and it simply doesn’t have a weak spot. This allowed every member of the cast to shine. Men playing the women’s part seemed entirely natural and gave a sharpness to the sexual dynamic of the play that was very striking. Praise must go to Johnny Flynn who was mesmerising and made the Orsion/Cesario/Olivia utterly compelling.A down side? I’m not sure I will ever want to see the play again for fear that it won’t compare!
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#16 written by Gillian Kempster 3 months ago
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I don’t think I have ever laughed so much at a Shakespeare production. My partner and I both thoroughly enjoyed the show and absolutely adored Rylance’s interpretation of Olivia; his mannerisms were refined and hilarious. We travelled from Leicester to London and back again in 24 hours just for this production, but I would gladly do it again to see it. Absolutely first rate Shakespeare. Thank you Roger Lloyd Pack, Stephen Fry and Colin Hurley for giving such memorable and water-tight performances also. A FANTASTIC night out, and stunning interpretation of Shakespeare’s very best comedy which is still hilarious 400+ years after it was written.x